If you have a few minutes, take the time and watch this great video on how the internet is helping innovation in all areas, including dance! If you don’t have 20 minutes, at least watch the first few minutes about how dancers are learning from YouTube and innovating faster than ever before!
http://video.ted.com/assets/player/swf/EmbedPlayer.swf
If you enjoyed this video, check out TEDTalks – there are some fascinating ideas out there!
Looking for some new ballet music?
Here are our current favorites:
1
. Aly Tejas – Music for Ballet Class III 
Described as “haunting” and “beautifully melodic”, her album Music for Ballet Class III is one of her best and most recent. You can’t really go wrong with any of her stuff, but we especially love this album.
2.Dancing Fingers Volume 8 – Michael Roberts
We’ve been using Michael Roberts’ album “Between the Barres” for years, but his new album, “Dancing Fingers” is another classic. 34 songs, most of them between 1 and 2 minutes makes them perfect for class.
3. We’ve mentioned Sunny Choi in a previous New Music Monday post – but she has some cool covers… available for FREE on Facebook.
4. Musique de la Danse (Ballet Class) – Fernando Davil
Enjoy!
If you don’t use Twitter, you don’t know what you’re missing! Twitter can be an overwhelming onslaught of mini-messages, but it can also be very useful to a dancer looking for audition updates or an inside look at being a professional dancer.
Here are a few of our favorite dance Twitter-ers 🙂
@DanceTWorkshop – DanceTheaterWorkshop – Bio: DTW maintains an uncompromising mission to identify, present, & support independent contemporary artists & companies to advance dance & live performance.
Our favorite recent tweet:
DanceTWorkshop: Line the dance floor with bubblewrap. #UnsolicitedDanceAdvice
@KinerEnterprises – Love this blog too! Bio: Kiner Enterprises Inc. provides dance studios & dance companies with social media marketing training and coaching,and dance teacher staffing consulting.
@Sheri_Is – Another dance blogger – good stuff! Bio: Semi-Retired Ballet dancer, choreographer, p/t ballet/ballroom instructor. Also an animal lover, interested in psychology, inspiration.
@danceMarketing – His tweets are funny and informative Bio: Hey, I LOVE dance. I also love marketing. I specialize in helping dance teachers & dance studios get more students. Get paid for dance!
And of course, you can find all of our buzz on our Twitter page: www.twitter.com/thedancebuzz
Our answer to 3dancer’s most recent question: What is the most important quality in a dance teacher?
Participate in the conversation! Comment here, or on the original post. Or go to the dancing3 blog to read their responses.
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The most important quality in a dance teacher?
Passion.
Passion for understanding the human body and its physiology.
Passion for meeting new dancers and the challenge of different types of learners.
Passion and knowing how far to push without breaking.
Passion for music and its relationship with dance.
Passion for passing the tradition of dance on to the next generation.
Passion brings the element of theatrics to class, transforms the room and focuses dancers on being in the moment. A passionate teacher lives and breathes dance and makes you want to love dance that much more.
A teacher without passion is a like a candle without a flame.
Interesting read on creating and re-writing a Dictionary of Dance. Judith Mackrell write about the effects of the Internet on changing dance vocabulary. (Guardian UK)
A great teacher has the ability to make the repetitive material exciting and new. This is especially a challenge for teachers who teach beginners, elementary school-age classes or preschool classes where a lot of repetition of simple steps is necessary for systematic progression. One way to keep class fresh and new is to bring props into the classroom.
Props help all types of learners retain and discover more about the steps they are learning. However, there is something magical that happens using props for dancers who are tactile learners. When they see a prop, touch it, feel it and use it, something clicks in their brains to help them learn the step or correction.
Finis Jhung, one of the most sought-after ballet teachers, uses props (to the right): he has a square for finding–and maintaining–your center, and his “plum” line is a variation of plumb line, used to show alignment. Many teachers who use vivid descriptions will find that a simple prop will take their teaching that much further.
Suggestions for props:
– Beanbags (balance on body parts, gentle tossing, passing in circle)
– Kickball-size foam balls (roll to different students while stretching in center split)
– Scarves (creative movement, free dance, ballet class)
– Maracas or percussion instruments (make ‘music train’ with toddlers / with older students-half of the class makes the beat while the other half dances to it)
– Parachute (toddlers)
– Pom Poms (emphasize arm movements)
– Teddy bears / puppets
– Jumprope (create different movement paths on the floor and mimic them with the body)
– Magic Wands (for littles: tip toe walks, bourree turn with them above heads and grant a magic wish while you arabesque)
– Rhythm sticks (teaching musicality and rhythm)
– Tambourines (again, musicality and rhythm exercises, also hold it in front of your creative movement dancers while they learn battements – try to tap the tambourine, with older children you can hold it up high during leaps and have them try to tap the tambourine while leaping)
– Candy canes at Wintertime (hold them long ways while doing dig heel walks. After executing a cramp roll, tap it on the ground 3x. Place end on floor and walk around it)
– Jingle Bells at Wintertime (shake out a rhythm, then match it with your taps)
– Canes (for a Broadway feel combo)
– Long/large scarves (for Arabian type dances during Nutcracker time)
– Chairs (for different movements-seated, stepping up on, spinning on one leg, etc…)
– Wooden suitcases to tap on
– Serving trays with elastic straps on the bottom to attach to your hands (works great for waitress type dances or Be Our Guest)
– Umbrellas
What props do you use in your classes?
As a dance teacher in the twenty-first century, you can carry thousands of songs in your pocket.
However, just because you can, doesn’t mean you should. Or in our case – at least organize it!
At my studio, I have many teachers who opt for CDs over iPods because scrolling through hundreds of songs to find the perfect tempo for their tap class wastes time and is too frustrating to deal with during class.
And what happens when you forget to take it off shuffle and dance music suddenly crosses over with your ‘personal’ music and you have a taste for raunchy hip hop songs or death metal? Not quite appropriate for those Kindergartners you’re teaching.
I propose a solution!
If you use iTunes, the software allows you make playlists. Use this feature. LIBERALLY.
Here’s how I do it (and you can too!):
1. DANCE MUSIC LIBRARY – Make a playlist for each type of dance you teach. We’ll call these your Dance Library Lists. To make a playlist, click File -> New Playlist. In my case, I have a Ballet, Children’s music, Jazz, Lyrical, Modern, Salsa, Showtunes and Tap playlist.
Then drag and drop music that fits these categories from your Music Library into the playlists. Each of these playlists will have hundreds of songs. Here is my ballet library playlist – it has 200+ songs and full CDs of ballet music.
2. CLASS PLAYLISTS – Now make a playlist for each class you teach. If I am teaching a combination class of tap & jazz, I will often make two playlists. I label mine by the day and time “Tues. 5 – Jazz” or “Tues. 5 – Tap” or “Adult Tap Class”.
Hint: You’ll notice I have my playlists labeled with a number in front of them. iTunes organizes alphabetically, so Thursday will come before Tuesday if you just label it by day. I add the number in front of it because I am anal and need my classes to be in order!
These playlists are much smaller and I often re-arrange them each month or so to bring in new music. To get new music, I just have to go back to my Dance Library Lists and pull a few songs from there. Here is my Thursday/Friday ballet class playlist. It has 23 tracks. Enough to get through the class and then whatever piece of choreography we are working on that day is at the bottom:
Hint: For my tap classes, I organize my playlist by the tempo. This way, I can find the correct speed in class quickly.
3. Use the folder feature. To make a new playlist folder, go to: File -> New Playlist Folder
Label it something useful (Example: “Classes” folder and “Dance Library” folder) and drag and drop your playlists into that folder.
Hopefully this organization system will help you to use your iPod during class and you will be able to quickly navigate thousands of songs.
Choreography Playlists
> Choreography: All the songs I am currently choreographing. This makes it easy to find when I am out and want to listen to my songs.
> Potential Choreography: Whenever I hear a song that gives me an idea for a piece, I drop it into this playlist. Even if I can’t use it right away, it’s there, stored away where I can find it.
Hope this has helped you get organized for class!
Here are a few of our favorite dance Twitter-ers 🙂
@DancingThree – Bio: Two guys and a gal discuss dance. Brand new site started by three of our favorite ‘tweeters’ & bloggers – 4dancers, Ballet For Men and Tights & Tiaras
@EliteDance – Bio: Promoting ballet and dance related digital media with lots of random weirdness mixed in.
@SuzanneGerety – Bio: Editor & Co-Founder DanceStudioOwner.com, VP of KBDS, writing, publishing, PR, marketing, business development.
@TenduTV – the accompanying Twitter site to the popular dance video site, Tendu TV
And of course, you can find all of our buzz on our Twitter page: www.twitter.com/thedancebuzz
While females make up about 85% of the dancing population (amateur or otherwise), there are only four female directors of large ballet companies in the United States (large meaning their budget is over $2.5 million). Here are a few articles that touch on this subject that we think are worth a read:
Where Are the Women Ballet Leaders? | Dance USA
Finally, Women Choreographers | Dance Magazine
Where Are the Female Choreographers? | Dancer Universe
For more dance news – search our archives.
The Dance Buzz 